Swatching Storm Front

I've emerged from a high pressure inner-weather system with a report. It's similar to Robyn's latest entry about her designing process. Coincidence? Or does blogging about a Day in the Designing Life lend itself to blogging about the designing process?

I think I identified the sources of the pressure: there are 6 yarns I want to use first with equal passion + I'm making a personal garment but using a professional process (more on this below) + I have a tight time limit if I'm going to wear a new design (or 6?) to TNNA!

The 6 yarns that cast a spell over me: Kollage Yummy in Foggy Dew, Sirdar Baby Bamboo in a heathery metallic lilac (see both in 3rd photo below), Tess Cascade Silk in handdyed pewter, Plymouth Shire Silk in radiant tweedy aqua (both at right), Plymouth Royal Llama Linen in 3 earthy neutrals, and Great Adirondack Sierra (see above) in a painted rainbow. (These are on my Ravelry Stash page.)

I swatched 5 like crazy (the storm part) and noticed something new about that. As I mentioned, it's been 2+ years since I could design a sweater for myself rather than for professional deadlines. The swatching resulted in a number of good designs from a professional standpoint, but none that made me commit to making one now for me. It was weird--I enjoy a good swatching marathon in its own right and I've got a stack of some great swatches now--but for future reference. Huh? I need something now! What's going to close the deal?

Luckily I didn't stop swatching. I picked up the 6th yarn, Baby Bamboo, and magic happened. My fingers and eyes tingled (a personal response to the yarn). I tried a new stitch pattern that captured my imagination (I call it "Waterlily"). After two rows I was hooked personally, not professionally. I guess that after 2-3 years I forgot that there's a difference LOL!

A Day in the Designing Life

I love Robyn's "Day in the Life" idea, so here's mine. Good thing I committed to this particular day because if I'd waited for a "typical" day I would never have blogged one. There is no typical day and that's exactly what I like about designing! So here's how yesterday went:

7:10 a.m. - Today I woke up earlier than the usual 7:40-8:00 range. That meant that I could help Mr. Designingvashti get our 3rd-grader to the bus stop in time. He's excited about Field Day today. My beverage of choice is Yogi Green Tea Goji (I'm exploring the Japanese matcha tea scene). I'll be taking a brisk 45-min. walk so I nibble on mulberries from our tree, which I much prefer over raspberries or blackberries, and inhale deeply from our neighbor's true jasmine bushes OMG. Most other mornings I wake up with a design brainstorm or project that gets me out of bed so then I make a pot of my favorite jasmine green tea with some raw honey, and try to get a walk in later in the day. The jasmine and the frangipani smell different at different times of day :-)

9:30 - OK, back from a brisk preoccupied walk because I realize I'm in an end-of-week pileup. Listing them here might help:

1. Prepare for a crochet jewelry class I'm teaching at my LYS this weekend–I need new handouts and I can never have enough samples. Last night my LYSO said that more people signed up at the last minute, which is exciting!!

2. Write up two patterns for designs that will be in a book–can't talk about them yet.

3. Continue my marathon swatching for designs I have in mind to wear to TNNA in 3 weeks. This is the first time in 3 years that I have the chance to do this; usually I'm too busy working up designs for editors to make something special and new for myself. The last time I did this the Mermaid Shrug, my favorite, happened. Of course I have 5 projects in mind and that's just crazy.

4. Make decisions clustered around the issue of branding, which affects how I'll upload new patterns to Ravelry, how my site map would be laid out, etc.

5. Complete the teacher's gift I designed which will also become a pdf pattern that I'll offer for sale in Ravelry. (I always procrastinate when I have to put a face on something. The face is everything, you know?)

10:30 - Reality check during my mid-morning u-betcha espresso ritual: the class samples and supplies are rounded up. Who knows how long the handouts will take (always longer than I expect). I will carve items 3 & 4 into smaller steps; most of #4 can be tabled for a few days. I don't usually have a class weighing on my mind while having patterns to write. Item 2 must be completed today before Mini-D.vashti comes home from school--I need 100% concentration to write patterns. Item 5 except photography can be done tonight if I don't have a glass of shiraz with dinner :-). It's great that the phone has not been ringing.

3:30 p.m.- Emailed the first pattern complete with three variations just before the school bus comes. It won't be a problem to do the 2nd pattern first thing tomorrow, there are no variations and it's already mostly written. Rounded up all of my jewelry patterns which just makes we want to create more jewelry!

******

The rest of the day is a blur so this is the gist: spent rest of afternoon making a poster of ways Mini-D.vashti can earn more allowance $. It's a new system I've been working out that involves crocheted allowance tokens {{giggle}}

Spent the whole rest of the evening crocheting new jewelry for the class (sigh. I couldn't help it).

Mulberry season wanes as LYCHEES prepare to take their place. As of today they're starting to turn red. Yay!

Local Design Inspiration: Peacocks

I was writing an entry for my other blog the other day, about peacocks that were born in our backyard. All this time I've felt a guilty pleasure when blogging about the peacocks (even over on my play blog) because they have nothing to do with crochet, toys, or designing! I simply love them and so does my son.

Turns out the peacocks have inspired my designing self for a long time in an indirect way. Most recently the influence shows when I design crochet jewelry such as in this post. Here's a different view of the same "Peacock Fan Stitch" swatch (in peacock blue thread with a test of iridescent beads in peacock colors)!

A few 2007 peacock males born with rich black and cobalt colors captivated my imagination and inspired this piece:

In my ongoing efforts to organize my crochet jewelry stash, I found out that peacock-colored beads, of all sizes and shapes, make up almost half of all beads that I own forheavenssake. My imagination is besotted with peacocks and I didn't even know it.

(Peacock at top of page: adult male at end of mating season--tail feathers are getting ready to fall out. Peacock at right: young male practicing his dance for when he has real tail feathers to show off.)

Big Glasses: Hot or Not?

I can't turn down an invitation from Drew, Kim, and Amy to examine a fashion trend. What a fabulous support group! School photos from 1980 and 1981:








I remember grooving on the tinted self-darkening lenses for the ethno-hippie look I was going for in Wisconsin in 1980. I slept with my hair in 16 braids to get that crimp, people. I wore moccasins to school and macramed the sphinx necklace in the pic.

In 1981 I moved to Iowa and apparently chose bigger Big Glasses to complete my fresh, almost sporty look. It feels good to get some closure around this personal fashion issue so here's a Homecoming pic, still 1981:


Yeah. It's a Gunne Sax dress. I knew in my heart that the Big Glasses had reached a dead end for me. Soon after I got my first pair of contacts.

Freeform Shell Subversion

Welcome to all the freeformers who have subscribed to this blog. Thank you Mel for your warm recommendation! Normally I would have blogged before now but whew, a flu came out of nowhere! (All better now.)

In honor of my freeformin' buddies, here's a "shell game" that I've been playing lately. Like many crocheters I start out enjoying shell (or fan) stitch patterns, but after awhile I get a tad rebellious. I think, "5 double crochets all in this stitch? Let's mix it up a bit." I swatched up two stitch patterns: a widely available one (called "Peacock Fan Stitch" in the Harmony Guides) consisting of stacked shells of 13 double trebles (dtr). The other is less common: offset shells of 7 triple trebles (trtr) each separated by a chain stitch (ch).

In the case of the Peacock Fan Stitch, the shells are dramatically solid, and the fact that they stack up in columns helps direct the eye. In the blue swatch I took out some wedges, asymmetrically. Where I removed 4 dtrs I replaced them with 4 chs. There are many things I did not try, such as linked stitches, piggybacks, and more wedges.

In the white swatch, a shell of 7 trtr and 6 chs means I have a total of 13 stitches (sts) to mess with. This pattern starts out more lacy, so the variety of changes don't show up so well. The swatch will serve as a handy shell menu for me though. I tried a variety of linked st combos, and the 3-trtr/10ch shell catches my eye. I wonder how a fabric would look of linked shells mixed with some 2-trtr/11ch shells!

While swatching I noticed the following:
- the asymmetry is more dramatic and effective when there is a bold contrast between open and solid space. The eye needs to be able to organize all of the details that crochet fabric brings to the table.

- the grid gets smudged out the most if the center stitch of a shell or fan is eliminated; in other words, retaining the center stitch of a shell helps everything look regular and balanced. I think of the center stitch of a shell pattern as the Grid Keeper.

- The thinner and smoother the yarn and the larger the shells, the bigger the effect.

Classic stitch patterns are basically grids with symmetry and predictability as part of their charm, but I like to deconstruct them and see crochet also get subtly asymmetrical and random. Surely others have already done this kind of shell subversion and if so I hope someone will leave a comment and let me know. It has been a fun experiment.

Jewelry Design Tips: Bead Organization, Simple Starts

Turns out that I must be able to see my newest and most favorite beads at a glance, just like I need to see my yarn to inspire new ideas. For years I have dutifully sorted beads into little compartments and packets and drawers. Many of my beads remain there, such as seed beads and recycled parts of old jewelry. But when I come home with a batch of fresh bead stash enhancement, I need to see them sparkle in the sun! (Photo taken at sunset, hence the pink cast.)

It's a thick, small cork board that I covered with felt. It's for macrame and so the pins are able to hold the weight of the larger glass beads. I can carry the board around to where I daydream and swatch up designs for them.

While I'm here, how about some tips* for creating your own jewelry? These ideas come from a post I wrote for a Crochetpartners Yahoo group regarding crochet jewelry for a girl who's allergic to metal.

- For metal-free jewelry there are many kinds of jewelry findings and clasps that you can crochet yourself. Or sew on a pretty button.

- Kids love Jelly Yarn for jewelry!

- Take a bookmark pattern that you like and make it longer to fit around a wrist or neck; add a button.

- Some belt patterns could make great bracelets or chokers if you use thread and beads.

- Take a pretty edging pattern and make it long enough for suspending a pendant, for a pretty necklace.

- Just crochet a chain and feed it through big-holed beads. The craft stores have some exciting new beads and more of them now have big enough holes for crochet. Use thread that is strong and durable, and beads without rough hole edges. (You can use a bead reamer--available at craft stores--to smooth the edges.)

- Take an interesting pattern from a stitch dictionary and do it in tiny thread; sprinkle in some seed beads. Sometimes just the first few rows of a fancy stitch pattern look beautiful as jewelry. Sometimes the opposite is true: many rows with just 1 or 2 or 3 stitch repeats in each row create a special look for jewelry.

- Crochet some flowers and slide them onto ribbon. You can do this with any insertion patterns that are already designed to have a ribbon woven through the middle of them.

my jewelry blog posts:
http://designingvashti.blogspot.com/2007/05/my-shangri-la.html
http://designingvashti.blogspot.com/2007/10/rowanberry-pendant.html
http://designingvashti.blogspot.com/2007/12/icy-bling-for-warm-climes.html

*These tips are for readers who are making jewelry for private, nonprofessional, noncommercial use. For other uses, please consult current intellectual property laws in your country.

The "Picot Fans" Stitch Pattern

Though there are many crochet stitch patterns, and they can be known by many names and variations, the Picot Fans stitch pattern is not one of them. It is remarkably standardized by name (in the stitch dictionaries that use names) and I have found only two minor variations in any dictionaries so far. (See comparison of dictionaries at end of this entry.)

It forms a wide decorative band on the hem and sleeves of the new "Helon Dress"; pattern is available in Rowan Yarn's new summer 2008 pattern book. You can also see a full-size pic of it on the first page of the Spr-Sum'08 issue of Vogue Knitting.

For the sleeves of the Baroque Tabard I wanted a richer, more dramatic, more baroque version of Picot Fans, so instead of a (ch 3, sl st in 3rd ch from hook) type of picot, I used a (ch 4, sc in base dc) picot; I like to work the sc into one front loop and one side loop of the base stitch to add a subtle defined ridge to the fan. I also developed a way to work it in the round with turning after only some rounds for design reasons: I wanted all picot and dc rows to be facing the right side of the garment. (I also added an 8th picot to each fan in case it wasn't 'baroque' enough already.)

Jane Rimmer, CGOA member extraordinaire, wrote a wonderful post for Crochetpartners members in which she compared the many ways to make picots.

Dictionaries in which "Picot Fans" appears:
Donna Kooler's Encyclopedia of Crochet, p. 147
Harmony Guides v.6 (1998), p.65
A Japanese dictionary with "Crochet 262 Patterns" on the cover, p. 82
280 Crochet Shell Patterns by Darla Sims (2006), p.42 (Row 3 varies slightly)
The Complete Book of Crochet Stitch Designs by Linda P. Schapper (reissued 2007), p.166 (picot varies slightly)

Some stitch pattern collections in which "Picot Fans" does not appear:
The Complete Encyclopedia of Needlework by Therese de Dillmont (1886; 1978 reprint)
A Treasury of Crochet Patterns by Liz Blackwell (1971)
A Complete Guide to Crochet Stitches by Mary Dawson (1972)
Crochet and Creative Design by Annette Feldman (1973)
Handmade Lace and Patterns by Annette Feldman (1975)
Stitches, Patterns and Projects for Crocheting by Wanda Bonando (1978)
New Directions in Crochet by Anne Rabun Ough (1981)
Vogue Dictionary of Crochet Stitches by Anne Matthews (1992 reprint)
Crochet Stitch Bible (German ed.: Die Hakel-Enzyklopadie) by Betty Barnden (2004)

The Complete Book of Crochet by Pam Dawson (1985) has something called "Shell Arch Pattern" (p.156) which is like Picot Fans minus the picots. See Sambuca Jacket in Amazing Crochet Lace by Doris Chan.

If anyone has historical information on the "Picot Fans" stitch pattern, please let me know. I suspect someone modified a scalloped edging pattern.

"Baroque Tabard" (Free Pattern); About Tabards

I really enjoyed designing this. I’ve always wondered if I could make a tabard that is more flattering and stylish than the knitted and crocheted tabards of the 1970’s. (Can't find a good pic on the 'net.) The word "tabard" brings to my mind medieval pages and troubadours, so I went for my impression of an "Eleanor of Aquitaine" look. As you can see from the original sketch, I pictured a soft gray and pink. The finished design is lovely in shades of heathery green, which adds a hint of the Irish to me. Photo on the right courtesy of Caron International Yarns.

If you google "tabard" you'll see that I've thoroughly romanticized them! Tabards used to be a humble men's outer garment, not for troubadours but for foot soldiers, peasants, monks.

It's easy to see why the tabard idea took off for women in the 1970's--it's sporty, folky-eclectic, and an easy make-it-yourself vest/pullover/tunic. Even in the medieval wiki-pics it looks like a simple drop-shoulder construction. Leaving the sides unseamed is a distinguishing feature of the tabard, dating all the way to 1300 AD.

Below is a short list of my favorite features of this "Baroque Tabard" free pattern, available here. I personally like to hear what designers think about their own designs and what the backstory is. If this is a "tooting one's horn" that you, dear reader, find annoying, then you can stop reading now and you won't miss anything, and I appreciate your visit today.

• the tunic is worked in vertical rows of hdc so that the subtle color-striping built in to the yarn looks the same for any size including plus-sizes (when a self-striping yarn is worked in horizontal rows, the effect is not the same for plus-sizes.) The vertical lines also make the tabard style more flattering.

• I totally invented the lace tie stitch pattern and significantly changed the classic “picot fans” stitch pattern of the sleeves. I love the super-lacy sleeves (that's where the "baroque" part comes in even though Queen Eleanor lived about 400 years prior to the Baroque period).
  

• The hdc bodice works up quickly and includes simple shoulder and neck shaping. This keeps the traditional drop-shoulder tabard from looking boxy or clunky.
  

• I liked being able to make the seams decorative. It is surface-crocheted reverse single crochet (aka "crab stitch").

Published: Felted Journal Cover

Felted Crochet, the latest book in the popular Vogue Knitting's On the Go series, is due out April 1. I received my contributor's copy and it's great! The range of projects is fun and inspiring and I would have added it to my library even if I didn't have a design in it. Below is a pic of the felted piece before blocking. As you can see, it felted evenly with no wonky ruffled edges. I chalk that up partly to the yarn and partly to the design: I worked the final rounds differently so that they pull in neatly during felting instead of splaying out. By doing a rectangle in the round instead of back and forth, the height and width shrink equally so that the felted rectangle retains the original proportions.

As a designer, Louet Riverstone is my favorite felting yarn. The stitches felt beautifully and there are no odd little surprises in color, texture, or felting process. My prototype came out as fine as the published sample! It inspired this blog entry. I'm a big fan of other Louet yarns too, such as Euroflax, KidLin, and Gems. (Come to think of it, Euroflax inspired this entry.)

Handmade Valentines

Here's my twist on Bella Dia's Sweet Heart Crochet Pattern, in which I find yet another way to marry crochet with 3D fabric paint LOL! (I blogged another way here, and I have more ways I'll blog about when the designs let me.) The full glittery gold effect doesn't show in this photo but in the morning sun it was ardently ablaze with my love for Mr. DesigningVashti.

Bella Dia offers her irresistible pattern as a full-color tutorial. It's an elegantly simple pattern and be sure to scroll to the end to see the color and edging variations.
I'm a big fan of handmade valentines and used to sell beribboned cloth and watercolor ones at local fairs back in the '80's. I don't know why it didn't occur to me back then to design some crocheted versions! I would have enjoyed the process more. On the other hand, I remember swooning over the fabrics and trims at the time.
I hope everyone has some close encounters with chocolate, roses, and snuggle time.

Birthday Crochet from Mom

I had a birthday last week and here's a lovely thread crochet heart doily from Mom. Doilies for me reserve a spot for something special. When I received a stash-enhancing shipment of Opera thread a few days later, I knew what this sweet lacy spot was waiting to be: a threadrest. Between swatches, crochet thread accumulates "yin" (kind of like fruit ripening) while it rests until it spilleth over into another swatch. See? Doesn't it look like it's getting juicy and sweet?

If you think I'm nuts, then you don't know about stash-love. Think of it as being a visual poem.

Crochet Ruts, Blocks, Slumps

Periodically the question comes up in a crochet forum: "What do you do when you find yourself in a crochet slump?" It just came up today in the Crochet Partners Yahoo group. It reminded me of the answer I gave when a similar question came up in the same group back in June '07. I refer back to this post myself occasionally so I thought I'd post it here, with additional tips and links:

- I flip through my favorite stitch dictionaries, like the Harmony Guides. I always see a stitch pattern that I want to try. Sometimes it's one I've tried but this time I try adding beads to some of the stitches, or I change colors where I never have before.

- I take a familiar pattern and try it with a very different material and hook size. For example, Doris Chan says she "exploded doilies" by doing them in drapey yarn and larger hook. Others have taken doily patterns and with 3 strands of Red Heart held together, they made beautiful porch doilies. I made a doily with colored wire and beads once--the pattern is simple but the materials made it look fancy. If there's an afghan square that has beautiful colorwork, I try it with embroidery floss and a small steel hook instead--with floss you can have all the colors of the rainbow for just $1 each or so and it makes a beautiful piece of jewelry, headband, etc.

- I try to crochet "badly" or the wrong way or as if I don't even know how. If I yarn over one way, I try the other way. Or I try going into the "wrong" part of a stitch. You can invent new stitches this way or understand how stitches came to be.

- I make up games like I roll the dice and put that many stitches in the next stitch and roll again. Or do a bobble in that many stitches, etc. Or I try some other "code" like turning someone's birthday into stripes.

- I start a swatch some weird way. Kind of like freeforming. Instead starting with a foundation chain then working rows, maybe I work both sides of the chain but in a "U" shape (not in the round), or maybe a figure-8 of bobbles or something.

- I go through my box of swatches and see if there's one that I can turn into something right away for an instant FO (finished object). Like the time I glued a fancy swatch to the cover of a small spiral notebook: I love everything about it! I love the swatch and yarn so now I get to SEE and USE it; the notepad was old and now it looks like new; the crochet makes the notepad soft to hold; it was easy to add a strap for carrying; and best of all I have an instant FO. Add a tail to a flower and you have an instant luggage identifier. I have found swatches that can become instant coffee cozies or wrist cuffs or short neckscarves or throw pillows with just 1 seam or decorative edge!

- When I go through my swatches, I use them for experimenting with new techniques. I stay focused on that liberating word "experiment". The crochet part is already done, now I can try felting the swatch if it's animal fiber; or I can try embellishing with surface crochet, or cross stitch, or beads, fabric paint, weaving, etc.

- I pick up an unusual material to crochet with, for example, rag or tshirt strips, Jelly Yarn, macrame jute, covered elastic cord, leather lacing, waxed linen cord, and yes, even the aerial roots of strangler fig trees.

- Crocheting something for a child really renews my crochet fun and often gives me new design ideas, especially when I let the child suggest a color scheme or type of toy. (Some of these are/will be on my other blog or my Ravelry page). Yesterday at lunch my son's friend imagined a sweater with 3 sleeves. It would be easy and quick to crochet a tiny version and then see a child's face light up--there's nothing like it. One time my son kept stretching a Jelly Yarn swatch then watching it spring back into a curled up shape, and it gave me this worm idea.
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This list is from a designing perspective. Some of the other responses to this topic, by non-designers, are sometimes very different from the above; for example, many people get past a slump by crocheting for a charity, or they go yarn shopping :-)

Oooo, Ruby Slippers!

Yes, it's out! The book is out: Get Hooked Again and it's well done--the expert editing, vivid photography, cute illustrations, everything about it makes it fun. I have one design in it and the way the pattern is laid out, with step-by-step pictures and instructions, is the best way I have ever seen one of my patterns published. This is just one pattern out of many that all look great so congratulations to author Kim Werker and everyone involved.
I still need to make a pair for myself, IN EVERY COLOR: an emerald pair, diamond pair, topaz, sapphire, amethyst....

With this blog entry I've finally embraced my bling nature by creating a tag for bling posts.

Mailorder Catalogs for Design Inspiration

Happy New Year! I have a few newly published designs to blog about but today, a bit about January clean-up for designers: I'm staring at mailorder catalogs that have piled up over the holidays. Before I throw them out, I go through some of them for crochet design inspiration. Below are my favorites.

So much copyright infringement goes on and so many people seem fuzzy about what makes a design original that I feel I must say: I'm in no way encouraging or recommending that people copy designs, nor do I do it myself.

When I say "design inspiration", I mean that:
-- the way someone pairs a particular shade of brown with a shade of blue can spark a creative journey that ends in a design that might not even have anything to do with that brown or that blue or the way they are paired or the object on which they are displayed.

-- the way the border of a garment contrasts with lacy panels is exciting in a general kind of way.

-- the way a traditional crochet stitch pattern is rendered in a nontraditional color or fiber or gauge or wardrobe piece frees me to see familiar crochet a new way.

-- when I imagine something made of metal or glass in crocheted fiber instead, the radical change in style, subtext, and other effects can be startling.

-- the direction of sewn seams, pleats, knitted rows, or contrasting fabric nap sparks ideas for using crochet shortrowing decoratively rather than just for shaping or random free-form.

-- a toy in a catalog, or just a fabric print in a kid's decor item, might remind me of the general principle that a cool toy results from anthropomorphizing anything; and then my own imagination soars.

-- sometimes when I look at a woven rug, I see crocheted motifs that aren't really there, and the motifs would make a great bag or afghan or jacket. Sometimes when I look at leather belts I see crocheted bag straps or headbands, or when I look at metal jewelry I see lace garment edgings or headbands.

Women's fashion catalogs:

anthropologie--the ultimate in sweater art! I know many would agree with me because there's a Ravelry forum devoted to anthropologie knits. (The Ravelry links might not work for you yet if you're not a Raveler but I've provided them because Ravelry will eventually go fully public, and some forums already show up in my Google searches.)
Newport News--many crocheters would agree with me on this one too! This company tracks fashion fads and trends closely so a designer can use it like a trends newsletter--right down to the super-trendy catchphrases (see above photo). Usually lots of real crochet for dessert.

Peruvian Connection--for more ethnic and folkloric looks, textures, & color combos.

For jewelry, bags, other accessories:

Sundance--Rustic, western looks. I've been inspired most by the jewelry and sometimes the bags.

Chicos--Chico's fashions used to have more artistic, artisanal, and/or ethnic flair. I still scan the clothing but now am more likely to be inspired by their belts, and occasionally the jewelry.
Peruvian Connection and anthropologie can also be great for accessories.

For home decor:

Chiasso--My favorite for modernist chic. Also, West Elm.

Pottery Barn--The overall style is generally inspiring. (I guess that could be said of many catalog companies such as J.Crew, Crate and Barrel, Spiegel, etc.)

Home Decorator's Collection--mainly the rugs.

For kitsch, kids, useful items, etc:

Flax Art & Design--Fun, creative, and colorful designs, especially for kids. See also Chiasso.

There must be some good ones missing from this list so please mention them in the comments if you have a favorite. I have other favorites that I visit online rather than receive in the mail; but for a list of those you'd need to take my Trendy Crochet class at the next CGOA Chain Link conference!

Yarn Club Update: Free Form Crochet Club

Remember when I posted about the 3 yarn-of-the-month clubs I've been enjoying? And then in a later post I compared how far the yarn samples get me from two of those clubs, by working up some coffee cozies?

Well: just in time for Christmas I worked up a Coffee Cozy du Cheer using two samples from the Free Form Crochet Club's handspun yarns. I used a blended yarn with giant red nubbies*, which I then edged with a blended chenille yarn that has giant white nubbies**. I did the chenille in giant picots to amp up the texture theme going on. The reds are so intense that they vibrate!

Since the cheer is just baking off of this thing, I've used it for lots of mochas and I'm happy to report that the yarns are showing zero pilling, abrasion, sagging, fading, etc.

I love what Laurie says about her yarn: "As a crocheter who spins I have learned the secret to creating functional, beautiful works of art that any crocheter can use to then create NEW orginal works of art. That's right BEAUTY GROWS!"

*Spuntastik! Naughty Fine Yarn Crochet Cotton

**Spuntastik! Knaughty Yarn Chenille/Pearl Cotton

Icy Bling for Warm Climes

Crocheted this up and wore it with a white shirt and white shimmery eyeshadow for my first day of holiday shopping, humming "I'm Dreaming of a White Christmas" even though it was 82 degrees. Had worn its prototype to the CGOA conference and Deanna vanAssche said, "WILMA FLINTSTONE!!" and so we did a deal and she took it home. Made another, wore it to my son's school, and all the third-grade girls were mesmerized and asked if they were real (I said yes....). Made another with red and green crystal drops, and my neighbor, Kathy, took that one home.

I MISS SNOW! It's HOT here. I'm sorry to complain but it's been summer all year. People here are actually getting heatstroke and heat exhaustion. I have to remind myself to drink enough water. We need the A/C on to be able to sleep at night.

I have some mighty-fine alpacas, merinos, and cashmeres in my yarn stash but am nowhere near able to enjoy crocheting them or wearing them. I keep eyeing the linens and cottons.

Anne blogged the best list I've ever read of what is lovable about snow. I grew up in Wisconsin and her list brought back memories!

German Crochet Magazines: Hakelmode

The new Diana magazine is on the newsstands in Europe for 2008; the two Lea magazines pictured are from 2004 and 2005. My friends are visiting from Switzerland right now and they were kind enough to bring me these three issues, after much sifting through knitting magazines in yarn shops. One of them was found at the last minute in the Zurich airport!
The yarns used are brands like Austermann, Junghans, Lana Grossa, Lang, Online, Schachenmayr, and Schoeller + Stahl. The Diana issue has 15 women's fashions, about 9 of them crocheted. The average hook size is 5-6mm and the garments look chunky and more casual, bringing to mind American crochet patterns. The poncho in the second photo, for example, is described as youthful and trendy; it calls for a 12mm hook.
The 2004 Lea issue (top photo, far left) has 34 designs, all of them crochet, most also in medium-weight yarns. There's a pullover in tunisian (Tunesischer Hakelei) and two wraps in "schlingenmuster"--it looks like drop stitch rather than loop stitch, so maybe it uses a broomstick? (not pictured)

One of the magazines is mostly stitch patterns with fashion sketches offering ideas for how to use the stitch pattern in one's own design.
I'm happy to add these Lea and Diana magazines to my collection of Sandra and Sabrina issues. If there are any Rebecca issues with more crochet than knit in them, please let me know!

Free Yarn Company E-Newsletters

I subscribe by email to free newsletters published by yarn companies and yesterday I received five. FIVE. Usually they're spread out throughout the month. Hearing from so many yarn companies in one day brings out the blogger in me. In case you aren't aware of these newsletters, I'll list them below in alphabetical order.

Why sub?
-Trendwatching: I keep up with what floats knitters' boats because it's interesting to me when it differs from crocheters; for example, both groups fell for felting, but the next big thing for knitters seems to be lace knitting, whereas I'm not seeing crocheters go whole hog for lace crochet. (More than usual, I mean. It's hard to ever fully separate lace from crochet.)

-To learn about new yarns, patterns, colors, and color combos.

-Many newsletters provide helpful tips that are often as useful to crocheters as to knitters, even if the tip is written only with knitters in mind.

-The suspense of never knowing when some GREAT crochet will show up in the knitcentric newsletters. I'd like to thank the yarn companies that do remember the crocheters and don't make us sigh and whimper and beg and cajole!

The list:
Berroco's KnitBits (every Friday)
Caron Yarn's Caron Connections (daily for 12 days in Dec.)
Classic Elite's CEY Web-Letters (3-4 times a month)
Coats and Clark's Keep in the Loop (monthly)
Garnstudio's Drops Design Newsletter
K1C2's Knit One Crochet Too Newsletter (monthly)
Lion Brand's Lion Brand Newsletter (weekly)

If you know of one that should be on this list, please let me know in the comments, thanks!

Pop Tops and Crochet: A Fashion Alliance?

Feast your eyes upon this actual runway design by Ronaldo Fraga for the 2006 Brasilia fashion week!
There's something about pop tops that makes people want to crochet them together, like here and here. A remarkable Brazilian site (in English) offers stylish bags of pop tops crocheted together. The same site offers a poptopflower tutorial here and you've GOT to see these pop top fashions of the '70's!

I'm speechless, almost; I just have to point out that ok yeah, "being green" (in the eco-recycling sense) might be the in thing now, but crocheters have always had an irascible green streak--we crochet plastic bags into coasters, totes, rugs, ropes, hats, welcome mats, outdoor decor, incredible objets d'art, and even indestructible mattresses for the homeless (some with built-in air pockets)! We crochet fabric strips into rugs, video and cassette tape into evening purses and doll clothes, butcher's twine or other reclaimed string into market bags, clothesline into baskets, bottlecaps into trivets (video here), Christmas cards into boxes and ornaments, and used CD's into room dividers (Jen Hansen's), coasters, hotpads, and bottoms for purses and baskets. Crocheters were cool long before the planet got too hot.
Now I'm speechless.

Orlando Needlework Show Wrap-up

Took two excellent classes at the show and realized I didn't blog about them: Lily Chin's Color, Composition, Scale, Stitch and Pattern in 2-Dimensional Design and Darla Fanton's Tunisian Entrelac-to Felt or Not; Part 1-In the Round.

I've never seen this one offered by Lily before, so I had to take it out of curiosity. Within in the first 5 minutes I knew I was in the right class when she asked, "What is the difference between Art and Design?" I spent the rest of the conference mulling over our discussion!

It's funny to me now to type "Tunisian Entrelac in the Round" because before I took Darla's class it sounded exotic and advanced. I had never done any kind of tunisian crochet in the round, let alone entrelac. Yet it was perfectly easy to learn in class and I never once thought, "Holy cow, this tunisian entrelac in the round is crazy stuff". It seems more natural than working flat, actually.

I finished my project in class: a bowl to felt (see above photo). Now that I have it home, though, it's very soft and is the perfect size for my Hat Guru, so I think instead of felting it I'll edge the brim and let it be a hat!

The last bit of news is: YES Floridians! There WILL be another Orlando Needlework Show in September 2008!

UPDATE (Dec. 7): Dates for 2008 are being revised.

Report: Orlando Needlework Show

Marty and I attended the Orlando Needlework Show just before Thanksgiving and I think of it now as the "Conference of Pleasant Surprises".

It marks the first wearing of my silvery-sage wrap design, which is published in Jean and Rita's 100 Crochet Projects as part of a set (it has a matching pencil skirt). I'm happy to report that it was a wonderful companion--it kept me warm, the textured row created flattering diagonal lines of drama, the stretchy yarn caused it to cling to my shoulders, and best of all, my wrap and I basked in compliments. Marty is a witness.

I almost didn't bring the wrap because I didn't know if I'd want to be tugging to keep it on my shoulders all day, but instead I'm now into wraps and shawls. I like how wide this one is because I could wrap it around me 4 different ways. I remember intending it to be 70" wide, but the yarn is so stretchy that it becomes 84" wide, which originally worried me. Now, after wearing it all day, I'm glad.

The CGOA booth in the market was hoppin'! Debby somehow kept up with all the questions and new member app's coming at her right and left! Plus, current CGOA members were treated to a complimentary light-up hook just for visiting the booth. Marty was the perfect person to field questions on teaching children how to crochet.

We wore crochet everywhere and saw little of it. This is, after all, traditionally a scrapbooker's conference, so we weren't surprised; but it was remarkable how many people were there for crochet specifically. It also seemed like these crocheters were not newbies. In fact I talked to a yarn shop owner in north-central Florida who said she has so many advanced crocheters coming into her shop that she doesn't know what to do (she's a knitter herself). I was in a daze when I heard that. I'm noticing something similar at the new yarn shop where I'm teaching--advanced crocheters are coming out of the woodwork.

Who knew Florida is a hooker's hotbed? (sorry, couldn't help that)